Room transfer function measurement from directional loudspeaker

Room transfer function (RTF) is the room response observed at a particular listening point due to an impulse generated from an omnidirectional point source. Typically, measured RTFs in practice are often erroneous due to the directivity of the measurement loudspeaker. This paper formulates a spherical harmonic based parameterization of the room response for a directional loudspeaker, and provides a direct approach to derive the point to point RTF using measurements from a directional loudspeaker. Simulation results are presented for 2 directional loudspeakers with an active frequency bandwidth of 200 - 4000 Hz.This work is supported by Australian Research Council (ARC) Discovery Projects funding scheme (project no. DP140103412)

PSD Estimation of Multiple Sound Sources in a Reverberant Room Using a Spherical Microphone Array

We propose an efficient method to estimate source power spectral densities (PSDs) in a multi-source reverberant environment using a spherical microphone array. The proposed method utilizes the spatial correlation between the spherical harmonics (SH) coefficients of a sound field to estimate source PSDs. The use of the spatial cross-correlation of the SH coefficients allows us to employ the method in an environment with a higher number of sources compared to conventional methods. Furthermore, the orthogonality property of the SH basis functions saves the effort of designing specific beampatterns of a conventional beamformer-based method. We evaluate the performance of the algorithm with different number of sources in practical reverberant and non-reverberant rooms. We also demonstrate an application of the method by separating source signals using a conventional beamformer and a Wiener post-filter designed from the estimated PSDs.Comment: Accepted for WASPAA 201

Extraction of exterior field from a mixed sound field for 2D height-invariant sound propagation

Any sound field caused by one or more sound sources takes the form of an interior, exterior or a mixed sound field based on the source locations. The recording and reproduction of interior or exterior sound fields in terms of harmonic decomposition has been extensively studied in the literature, however the challenging task of separating them in a mixed field remains largely unexplored. But in nature, the interior and exterior sound fields often co-exist, hence their isolation can be very useful in many acoustic processes. In this paper, we discuss a method to extract the exterior field from a mixed sound field for 2D height-invariant sound propagation. Such an extraction method can be employed to record a sound field in a noisy or interfered room or to perform dereverberation in a reverberant room where the sound fields due to the source signal and its reflections superimpose each other. We demonstrate two practical uses of the proposed method in the forms of (i) an exterior sound field recording in a mixed wave field and (ii) speech dereverberation in a simulated reverberant roomThis work is supported by Australian Research Council (ARC) Discovery Projects funding scheme (project no. DP140103412)

Estimating the Direct-to-Reverberant Energy Ratio Using a Spherical Harmonics-Based Spatial Correlation Model

The direct-to-reverberant ratio (DRR), which describes the energy ratio between the direct and reverberant component of a soundfield, is an important parameter in many audio applications. In this paper, we present a multichannel algorithm, which utilizes the blind recordings of a spherical microphone array to estimate the DRR of interest. The algorithm is developed based on a spatial correlation model formulated in the spherical harmonics domain. This model expresses the cross correlation matrix of the recorded soundfield coefficients in terms of two spatial correlation matrices, one for direct sound and the other for reverberation. While the direct path arrives from the source, the reverberant path is considered to be a nondiffuse soundfield with varying directional gains. The direct and reverberant sound energies are estimated from the aforementioned spatial correlation model, which then leads to the DRR estimation. The practical feasibility of the proposed algorithm was evaluated using the speech corpus of the acoustic characterization of environments challenge. The experimental results revealed that the proposed method was able to effectively estimate the DRR of a large collection of reverberant speech recordings including various environmental noise types, room types and speakers.DP14010341

Acoustic reciprocity: An extension to spherical harmonics domain

Acoustic reciprocity is a fundamental property of acoustic wavefields that is commonly used to simplify the measurement process of many practical applications. Traditionally, the reciprocity theorem is defined between a monopole point source and a point receiver. Intuitively, it must apply to more complex transducers than monopoles. In this paper, the authors formulate the acoustic reciprocity theory in the spherical harmonics domain for directional sources and directional receivers with higher order directivity patterns.DP14010341

Spherical harmonics based generalized image source method for simulating room acoustics

Allen and Berkley's image source method (ISM) is proven to be a very useful and popular technique for simulating the acoustic room transfer function (RTF) in reverberant rooms. It is based on the assumption that the source and receiver of interest are both omnidirectional. With the inherent directional nature of practical loudspeakers and the increasing use of directional microphones, the above assumption is often invalid. The main objective of this paper is to generalize the frequency domain ISM in the spherical harmonics domain such that it could simulate the RTF between practical transducers with higher-order directivity. This is achieved by decomposing transducer directivity patterns in terms of spherical harmonics and by applying the concept of image sources in spherical harmonics based propagation patterns. Therefore, from now on, any transducer can be modeled in the spherical harmonics domain with a realistic directivity pattern and incorporated with the proposed method to simulate room acoustics more accurately. We show that the proposed generalization also has an alternate use in terms of enabling RTF simulations for moving point-transducers inside pre-defined source and receiver regions.Thanks to Australian Research Council Linkage Grant funding scheme (Project No. LP160100379)

A planar microphone array for spatial coherence-based source separation

We proposed a spatial coherence-based PSD estimation and source separation technique in [1] using a 32-channel spherical microphone array. While the proposed spherical microphone-based method exhibited a satisfactory performance in separating multiple sound sources in a reverberant environment, the use of a large number of microphones remains an issue for some practical considerations. In this paper, we investigate an alternative array structure to achieve spatial coherence-based source separation using a planar microphone array. This method is particularly useful in separating a limited number of sound sources in a mixed acoustic scene. The simplified array structure we used here can easily be integrated with many commercial acoustical instruments such as smart home devices to achieve better speech enhancements.This work is supported by Australian Research Council (ARC) Discovery Projects funding scheme (project no. DP140103412

Spatial sound intensity vectors in spherical harmonic domain

Sound intensity is a fundamental quantity describing acoustic wave fields and it contains both energy and directivity information. It is used in a variety of applications such as source localization, reproduction, and power measurement. Until now, intensity is defined at a point in space, however given sound propagates over space, knowing its spatial distribution could be more powerful. This paper formulates spatial sound intensity vectors in spherical harmonic domain such that the vectors contain energy and directivity information over continuous spatial regions. These representations are derived with finite sets of closed form coefficients enabling ease of implementation

Surround by Sound: A Review of Spatial Audio Recording and Reproduction

In this article, a systematic overview of various recording and reproduction techniques for spatial audio is presented. While binaural recording and rendering is designed to resemble the human two-ear auditory system and reproduce sounds specifically for a listener’s two ears, soundfield recording and reproduction using a large number of microphones and loudspeakers replicate an acoustic scene within a region. These two fundamentally different types of techniques are discussed in the paper. A recent popular area, multi-zone reproduction, is also briefly reviewed in the paper. The paper is concluded with a discussion of the current state of the field and open problemsThe authors acknowledge National Natural Science Foundation of China (NSFC) No. 61671380 and Australian Research Council Discovery Scheme DE 150100363